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https://doi.org/10.62077/3e86dd
Konferenser, 111
The cultural policies of the Nordic welfare states from the 1930s onwards mark a paradigmatic shift in the conditions under which the arts operate. This volume explores the historical and discursive ramifications of this process, and its impact on the place of art and literature in the Nordic ideal of modernity. As the contributors testify, cultural policy and the arts were integral to the conception and configuration of the welfare state apparatus, rather than merely serving an ornamental function within it. The thirteen articles, representing a wide range of disciplines and approaches, provide a multifaceted exposition of the relation between artistic practices and politics in above all the Swedish welfare state. By surpassing the traditional scope of literary and visual studies, cultural policy studies, and sociology, as well as urban and environmental studies, this anthology provides a stepping stone for future research.
https://doi.org/10.62077/3e86dd.0nw5b0
https://doi.org/10.62077/3e86dd.8e8dof
https://doi.org/10.62077/3e86dd.xsby80
https://doi.org/10.62077/3e86dd.m7og6i
https://doi.org/10.62077/3e86dd.162jvb
https://doi.org/10.62077/3e86dd.fa7x35
https://doi.org/10.62077/3e86dd.mdjtfk
https://doi.org/10.62077/3e86dd.gm00i9
https://doi.org/10.62077/3e86dd.jhdoly
https://doi.org/10.62077/3e86dd.9akg93
https://doi.org/10.62077/3e86dd.5wxbqe
https://doi.org/10.62077/3e86dd.xlpp3p
ISBN: 978-91-88763-51-8
ISBN: 978-91-88763-52-5 (online)
ISSN: 0348-1433
Publicerad: februari 2024
Språk: sv